SCULPTURE, sculpture, more sculpture…Australia, dead horses and the odd fox….

Back from the other side of the planet, a successful exhibition was had at 12 Mary’s Place Paddington Sydney,  A historic gallery in Sydney recently re-opened by the ‘Defiance Gallery’ we virtually sold out with orders for editions..The show is now open in Melbourne at a brand new space .

 

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Heres the catalogue ..just a click away!  Lawrence Edwards Gatter 13.3.18

Got a chance to travel. We got to Orange over the Blue Mountains where we were hosted by amazing Wine and food growers and met up with my sculptor friend Harrie Fascher at her wonderful studio in Oberon…

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Get an idea of her work, studio and life, and the great person artist….she is…by watching this film…

she’s just won a $50,000 prize …

 

Lots of Horses at her studio…one was shot outside my bedroom window one bright morning.. it was old.  I have to say I’m disappointed to find my photography only recorded the grimmest of things… Here’s the aftermath after I’d had breakfast and brushed my teeth…

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Then we went to the ‘Bush’ to meet Stirling Dixon  (Farmer and ecologist) at Taralga , part of the Tarlo National Park.. where foxes are not wanted..

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Brought over by us Brits .. they wreak havoc with the indigenous mammal and bird population, small marsupials and ground nesting birds suffer terribly.. Stirling  and friends attempt to keep them under control.. a fine welcome…

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Here he is leading the way on a small expedition.. well across a stream….

 

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Eucalyptus where he pointed out striations on the bark where flying squirrels sucked sap at night.

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His house

 

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stunning interior built by himself sensous earth floor.

 

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From left Harrie, Stirling, Anne and Jan.. who told me tales of travelling, looking for rock art in the Kimberley’s (far north Aboriginal territory).. where a wasp nest covering a rock painting had been removed and carbon dated.. and was found to be 20,000 yrs old….painting could have been 40,000..

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Trees six months after a forest fire..Stirling got a new bush trained dog, that went missing on its first night.. so well-trained was it that in the morning 80 wild goats were herded at the front of the house (these and wild pigs are the scourge of the bush apparently) Stirling was able to sell them on to the local restaurants.. a lovely dish, one we delighted in that night.. good dog!

Apparently poor thing was gorged by a miffed Billy the next day…that was the end of him…

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The wonderful shower..water warmed by a fire .

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One of the many termite mounds reminding me of my ‘Sylvan man”

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The show continues in Melbourne 409 Malvern Way, South Yarra until the 13th of June..

 

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Saw a fantastic Patricia Pincinnini show at the Brisbane Museum of Modern Art.. a great new museum. Brisbane is developing fast.. I’ve liked this artists work from afar for years so pleased to see them in the flesh.. I think they’re very Australian.. in the way horn and nail penetrates flesh.. their marsupial type relations with a platypus type convergence of materials and imagery..

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anthropomorphized  courting Vespas,

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Ruminations on Artificial intelligence and machines ability to reproduce..

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Back in the UK, life had continued a pace.. the Niche figures for Heveningham hall being finished and moulds made and the 5th (of 6) now ready for casting. I’m learning a lot.  It will be 10 life-size figures modelled and cast in just over a year, and editions sold of some of them ….

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The team pouring a wax of figure number 4

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Under the watchful gaze!

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The fifth one is based on a figure I made in the early 1990’s which I’d always wanted to scale up..

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I attached small surveying figures on him, fused into the sprueing system. I called the sculpture ‘Standing upto Scrutiny’ Might try it again on a larger scale!

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Tobias Ford, was out kayaking at Butley Creek, and trying to beat the time home got these rare images of ‘The Thousand Tides’ sculpture emerging in the water…

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and these ghostly shots of him shot on the way out.

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Finally, The Alde Valley Spring festival opened when I was in Australia.. Tom managed to finish The massive head for it. It’s in plaster and terribly photographed but you’ll get the idea.. we’ll have professional shots of it next time.

 

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I’m delivering work to Messums Wiltshire for A Head show starting there on the 26th of May..

 

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EXHIBITION: The Revelation of the Head

Saturday 26 May – Sunday 8 July
Preview: Saturday 26 May, 6:30pm RSVP

Our 13th century barn is the setting for a carefully chosen selection of some of the best heads that history has to offer. Ranging from ancient to contemporary.
Artists include Gavin Turk, Jonathan Yeo, Elisabeth Frink and many more…read more

 

I’m doing a gallery talk there on the 16th of June.a saturday morning. contact gallery for details..

 

coloThat’s it for now …next time I hope to have finished the plaster phase of the Colossus and may have even begun moulding with new equipment…bought especially.. don’t hold your breathe now..

and news on the show for the Mining sculpture we’re installing at the end of June in the French gate shopping centre..Doncaster.  Here’s a rock we’ve started to build in preparation.. tune in next time to see it finished!!!

Lx

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From portraits in palms, to the heads of giants. Australian Exhibitions and an Irish poet…

Hello… where to start! Don’t worry I’ll keep it brief..

The Colossus (26ft High figure) has moved into the next phase. the bit where I start modelling.   Its taken 8 months so far and i’ve planned for a three year job.. I will be modelling the surface keeping it as fresh as possible ,keeping the surface active and alive without confusing the issue, making it readable from distance and interesting up close.  Marks made with the sweep of an arm now sit with thumb marks scaled up from the model, now the size of dustbin lids.  Fingers scratch and claw amidst dollops and squelch’s flung from distance.  The learning curve is immense..heres a brief evolution… firstly the finished polystyrene form.. lovingly carved by Tom,covered in plaster and skrim.

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My first job was to effectively cover and corrupt the faithful reproduction of the maquette.

A hard thing to do considering Tom and Eva had spent 6 months creating it.

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I needed to thicken the torso and find form, musculature and mass.

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I decided to use grog and plaster instead of plaster, giving me a softer and more open textured surface. This is the material we use to make the moulds over the waxes, (the Investments)  so I’ve manipulated and built forms with it for 30 years, its second nature to me now.

 

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The figure will progress from a side which is organic, ‘of the earth’. To a more figurative form, the forearm and hand are an example of the more figurative elements. I was surprised that I could model relatively easily on this scale, that the anatomical knowledge in me, was scaleable…and didn’t necessarily require a whole new approach.. phew!

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I want the gaze to look down to  a space about 15ft in front of the sculpture (the place where, disconcertingly now, we drink wine every friday night).  One eye  will hopefully  fix the viewer and the feeling evoked will be of reticence, inner resolve and submission to an energy or state bigger than itself. A kind of grumpy concession to the forces of nature and a steely almost judgmental questioning of the viewer who is, perhaps unknowingly, at this moment in time free of his constraints and commitment.  But who will some day rejoin, re-enter that vast geological cosmic swirl.

 

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View looking down from the access platform to Tom on the floor, its high and wobbly up there..

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Meanwhile up in Doncaster  at the other end of the scale the palm held portraits continue. This gruelling exercise of two days of sittings creating six wax portraits and films is mentally and physically demanding. The Miners are fascinating and to have subjects walk in sit down, tell their life stories and leave, altering me and my experience in the process, is humbling .

The idea for the finished work is evolving fast, I think it will involve fifty or so heads.  made over a year.

I am having an exhibition of the work and ideas done so far in a vacant shop in The F’renchGate’  shopping centre toward to end of May into ~ June, this outing should help resolve the final plans and provide a gateway to creating the final piece.

 

Keith Marshall: Session 11keith2keithkeith waxc

 

 

Dave Allport : Session 12david bw

 

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Mr McQuade : Session 8

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Mr Tempest: Session 7.

 

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Tom: Session 9

 

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Anthony Busell: Session 10wax

I’ve continued to deliver talks and presentations as part of the consultation. I think now after 6 months of this kind of exposure I’m beginning to understand the issues and sentiments of this unique community !!

I make a presentation to the Mayor next week.

 

Here’s the link to the films of the sessions.. if not on the main menu you’ll find the latter sessions on the side bar amidst usual You tube detritus.. A sparkling website is being built this is a holding page operating in the meantime, Doncaster college are fantastically helpful imaginative and enthusiastic!!

 

 

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The `Heveningham Hall, Niche figures’ are evolving.

Two have now been cast into bronze and the third ‘The Patriarch’ is now in wax. I like them very much, an implicit narrative has developed, it’s a life cycle. Though where it starts and finishes is never determined.  The ‘Patriarch’ is a strong character, who can be looking at a new generation evolving, or his own past laid out.. the 4th and 5th figures are in clay. Six are needed to fill the 9ft Niches in this incredible 18th century Wyatt interior, its an incredible honour.  I’m hoping we’ll have installed the 6ft bronzes by the Summer.

 

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Funny, you can see the big guy through the door in the open space….

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Here’s the top half of the first one..

 

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A glimpse of the niches and the sculptures since removed..

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I’ve just opened a show of maquettes in London. ‘Messums’, Cork Street. The reception has been great. Here are exerts from the catalogue, it finishes in mid April.. I will be in Australia setting up exhibitions in Sydney and Melbourne at that time.

The first show opens at ‘Mary’s Place’, Paddington , Sydney on sunday the 15th of April, The second at ‘409 Malvern Road’, Melbourne, opens on the 13th of May ending 6th of June .

Look out too for the ‘Alde Valley Spring Festival’ in Glehman, Suffolk, this year. A new gallery is being built to house the large ‘Chthonic Head series ‘, very exciting.

I’ve also modelled a small head of the Roman Emperor ‘Claudius’. The Roman bronze of which was found in the River Alde near Glemham over a hundred years ago. It was discarded by one of `Bodica’s’ Mercian soldiers after  the sacking  of Colchester.

A copy of the head from the British Museum will act as a centre piece for the festival this year and my offering will be shown next to it. Bronzes and plasters of the head will be available to purchase through the festival. I’ll also have a range of new maquettes and studis on show beside rthe heads.

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Installing this massive  ‘Chthonic Head’ in Mayfair was a challenge, he looks great in the gallery space. We’ll be showing him in Australia too.

Laurence Edwards 2018 text (2nd layout)-1

 

 

Opening pages featuring ‘Keep Breathing’pge1

 

‘Endless Game’

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‘All Roads’

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‘The Chase’chasecatchermounted headgroup

‘Boardwalker’

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Finally the great Irish Poet ‘Paddy Bushe’, who lives on an eroding cliff on the western coast of Southern Ireland, wrote this beautiful Poem about ‘The Carrier’.

The last edition of which sold this week.  He will be spending his days  in ‘Orange County’ Australia.  Which sounds a far cry from these snow filled Suffolk marshes…

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Statuesque

for Laurence Edwards

The man bends under the weight of the cuttings

He will draw home. He has spent the day hewing

The small branches and shoots that he is allowed.

The leaves and shoots will feed the cow he tethers

Because he has no grazing. The branches will keep the fire

Smouldering another day. We will manage, he thinks.

His load is tied with bits and pieces of thin rope, knotted

And tightened beyond all measure. The pack solidifies,

Its outside branches scored by pressure from the rope.

When he heaves it onto his shoulders, sinews

And branches knot into each other, the man grows

Into his load, his load an impetus that lifts him up.

Seeing him against the light, you could imagine him

Bronzed, heroic. You could see something noble in this.

 

 

 

Thankyou paddy..

next posting will feature  a collection of poems by Caroline Maldonado about the ‘Creek Men’.

 

Well it wasn’t as short as I’d hoped, apologies for that.. see you in a month…Lx

 

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Portraits all shapes and sizes, Doncaster Miners, Colossi and Sculptures for Australia……

I’ve been in Doncaster all week, working on portraits of the Mining community, in preparation for the large commission I’ve received, to create a sculpture for the town celebrating the MIning culture, that’s sadly  no more . This is part of the ‘Consultation’ phase but I’m beginning to think it might be a bit more than that!!

Danny Heaton runs the photography department along with Liz (forgive me Liz you’ll have to tell me your surname one day) at Doncaster College. They are energized motivated and making things happen.

We’ve advertised on face book and other social networks for members of the mining community to come forward and have themselves photographed by Danny’s students. I then choose ‘Heads’ from them and then once a month (from now on) spend two days modelling them in wax, for two hours, the sitting is filmed and live streamed by film students, (brilliant!) The sitters tell their story, I listen and model in wax a small head, its strangely fascinating, even for me..

This all came out of a conversation with my son, who told me Rodin went to Calais to model the citizenry in preparation for the Burghers of Calais commission. This I thought was a lovely idea and a great way to get to know the community, and so it has proved.

 

Here are the heads still in wax transported in a bucket of water from Doncaster…

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This is Steve, he was a ‘Fitter’ mechanic, often on his own deep underground. Now at 67 a keen cyclist and runner who did the Three peak challenge in 4hrs 50 minutes last year!!!

I love this kindly head..

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This is Keith a proud ‘Goldthorpe’ miner, He brought me a ‘Nadge’ (A beautiful axe cum lump hammer for striking through the corrugated lining of the tunnels to make manholes in the sides) Married to Lyn a policewoman, who served throughout the strikes. Lovliest of couples and warm kind people.

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Here’s Keith and I on the live feed screen HQ!

 

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This Joan Hart a famous ‘Pit Nurse’,  85 now, she has written a book of her experiences, nervous to start with, soon started to tell me what she thought of me and my oral wax. habits!..

 

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keith allsopp

Keith Allsopp  big character came with his  lovely wife Suzanne, hilarious stories of mining folk, vivid depictions of Pit Ponie racing miles underground with only the lights on their helmets to show the way.  Finger missing, lover of Dimple Whiskey!

 

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keilth alssopp

 

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10 year old Conner Hughes was Mick Lanaghan’s grandson, Mick’s a pillar and font of knowledge of the mining community, He mined at Hatfield, the only Pit Head still standing. told of migrant communities and Gypsies.

 

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Rachel Horne, a ‘Strike baby’, now an activist and editor of ‘Doncapolitan’, a magazine serving Doncaster dealing with social issues, serving as a mouthpiece and platform for the vibrant culture in the area.

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We’re going to cast the heads and the next 6, and show them together with the photographic portraits in an empty shop in ‘Frenchgate’ the main shopping centre of th e town, i’ll also be showing the proposals for the finished work.. at the moment i’m thinking it may feature many many portraits.. i’m really quite escitied..

Here are the links to the films made during the sittings…

 

I’m returning in Feb to do another 6…so if you area miner  in the Doncaster area get in touch with Danny  daniel.heaton@don.ac.uk and get your photo taken..we really want to hear from you..

 

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Meanwhile back at the foundry The  26ft Colossus is nearing the end of his first phase in the foundry.. next he has to be covered in plaster, then I start modelling the plaster.. here are some of the team at his feet..photographed by Bill Jackson..

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`This is the bronze maquette.

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This is a plaster head over six-foot high, I’ve made him in order to practice the modelling and surfacing work, but can’t resist ‘caring’ so now I quite like him and will be showing him alongside the large bronze heads I’ve made. Firstly at ‘The Alde Valley Spring Festival” in Glemham Suffolk, in April – May, then at Messums Wiltshire in May  -June as part of a show all about the ‘Head’ freaturing heads from antiquity to now.

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Here are the bronze heads, called “Chthonic heads 1&2′

Chthonic heads 1&2Chthonic head 3Q_Chtnoic head side view

 

Here they are being modelled in clay, to give you a sense of scale.

 

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Bill spent a few frosty mornings photographing in the Suffolk landscape, for the catalogues promoting the upcoming show in Messum’s ,Cork St, starting March 14th. and the Sydney show. We were trying to make it look a bit Australian, wide flat horizons and big sky’s.. frost gives it away a bit though, too good to ignore.

 

Chthonic Head 1head2heads2heads

 

Here are some of the other pieces Sydney bound, by no means all the works going, i’ll show you the others when the show starts..  Its taken a while to cast and collate them, i’m excited to see how they feel in Sydney..

The Carrier..

 

‘The Catcher’  14 ft wide..

 

The CarrierThe Carrier,,

 

Sylvan man(hev)

 

‘Sylvan Man’

 

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Hands on Hips L

“Hands on Hips’ life size bronze.

Hands on Hips

 

'Top Step' oz one

Man on steps. life size figure..

'Top step' (verdigree oz one)

small study ‘`Long way down’

Crouching man5 (Long way down)

 

‘Feel the Heat 2’Feel The Heat 2

 

‘Feel the Heat 1’

Feel the heat 1

 

There are lots more but I fear I may bore you!!! I’ll update soon with Danny’s portraits of the miners , and of them sitting for me..scrollo n for earlier postings…speak soon..

 

be safe be good…Lx

 

Giant – big – large -Sculpture bronze heads clay men, Temple and…………………Mines.

Hi….

Well the giant  26 ft high figure is growing fast in polystyrene layers. Here’s a quick run of images of the last months activity,  which are hopefully self-explanatory, check a couple of postings back for more technical detail…

See below a poly layer having been cut out, then hollowed to fit around the steel frame. This is placed, pinned and then eventually plastered into position.. a long and fiddly process!

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Thats me on his toe…

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Once the layers are in place Tom ad Eva can start the carving , using kitchen knives and wire brushes, they painstakingly copy marks and shapes from the plaster sections of the figure..

 

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The numbers are critical in locating positions. You can very quickly lose your bearings, at times you’re almost snow blind.. Tom and Eva have found the process surprisingly exhausting!!

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Life goes on around the figure, there are lots of other projects on the go. The deadline for this figure to be delivered to site in bronze is 2020…

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He’s now a constant presence.. toasted every week..

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The modelling is slowly making its way down the front.. we’ve had to stop for a while  to prepare a show that’s going out to Australia. The show opens in Sydney on March 12th 2018, moving to Melbourne for April the 4th..  We have to get all the work crated and ready to go by sea by Christmas..

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This head is one of the sculptures going, We have to work out plinths and colour after the finishing, then find a great location to photograph it.. same goes for a lot of the other work .. busy times!

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Here’s some shots of a second casting of the head, One has been bought and needs to be delivered whilst the other is abroad!  Here you see the head in wax with the pouring channels fixed, accepting the first coat of grog and plaster, to be built up and eventually put in the kiln for the wax to melt out…leaving a head shaped hole for the bronze to flow into.

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Meanwhile the six-foot figures commissioned for 6, 9ft Niches in an century Hall are underway, I’ll show them in detail next month, here are a couple of fun shots..

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I’ve also won a commission to create a sculpture to celebrate the Mining history of Doncaster in Yorkshire. I’ve started the consultation phase , involving travelling to ‘Donny’ and talking to the mining communities  that surround it.

Also breaking into the last Mine still standing though long closed. Amazing experience these Pit Heads are important to the communities as significant as the medieval churches I love here in Suffolk.

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They remind me of the paintings of Giorgio DeChirico

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Then I thought of those Iranian tombs, temples, Persepolis, Ur etc

Untitled-1tomb of cyrusIran

 

Miners Banners and the carved Trilingual of Xerxes!

IMG_8086trilingual inscription of Xerxes

 

The imagery is amazing as are the people I’m meeting its an exciting project.. you’ll see how it develops over the year….

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That’s all folks.. thanks for hanging in there.. please sign up and be my friend!!!!!

 

 

Cannon Green Staircase bronze sculptures finished………………..

 

Well a month has gone and its been frantic.. I’m concentrating on one project for this posting.

The four life-size figures commissioned for Cannon Green a new building next to Cannon St Tube, it’s on Bush lane, find the Leon and you’ll see it.. you can go and see them , tell them Laurence sent you.. (office hours)

We’ll pick them up being put together in bronze.

Don’t worry this guy is perfectly happy!!IMG_7371

 

so is he..IMG_7366

 

 

Two ‘Stair climbers’ waiting to be welded together. The sections have been water jetted and rough finished.  Getting them balanced is going to be difficult, they are going straight onto concrete, so strength is a serious issue, we have to plan for ‘Wolf of Wall St’ type parties, three people climbing them etc ..at the same time keeping them looking spiritedly and in motion on the steps is a major undertaking, something I’ve been worrying about!!

 

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Tom’s crafted serious lugs under the feet, to take 30 mm stainless studding that has to be drilled into the steps on site..

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Figure coming together..

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In at the deep end Ania Kwilecka came to work for the summer, she turned into a very good worker within the month,  She’s surfacing the bronxe with a fine chisel.

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She made a subterranian bedroom in the boiler room under my Fire Station….

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Nice back..

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Harry came to help for a day… not sure he’ll want to come back!

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John another new assistant heating up the now assembled figures in order to patinate them..

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Here they stand ready for packing and photographing by Bill Jackson..

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Relieved, the team celebrate, wine and crisps descend from above.. there’s a cake in there somewhere.. Ania’s leaving cake…

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Here are Bill’s Photos of the finished bronzes..

The detail we’re getting now is amazing, the cloth on these figures reminds me of Tolland man,

 

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He almost looks skinned!

 

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So now for the installation..This is Cannon Green  27 Bush Lane, still under construction, a concrete staircase has been poured inside the glass entrance hall at the bottom..their home!!

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We had to hire a big drill needing a water supply to cool the very expensive diamond tipped drills.. we had to drill through steel  re-bar aswell as high-grade concrete ..it took two days to install the sculptures.

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We wait to get the lighting right and the building finished to take the definitive photographs, beamed to you as soon as – you’ll be relieved to know..

 

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Meanwhile I’ve got a little show in ‘The Crypt’ of Norwich School, poster and invite below.. I’m giving a talk on the 9th of November in the Blake studio at 6.15.. just incase you can’t read it., all welcome!

Laurence Edwards Final Invite

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I’m also starting the process of making  public sculpture to celebrate mining in Doncaster. The public consultations start on the 10th of November, I’ll be giving talks in 5 of the 12 mining towns surrounding Doncaster over the weekend.

Then making portraits of twelve x miners form the area, it’ll be live streamed whilst it’s happening.. a show in the Museum gallery will be staged in the Spring where I’ll present the final idea.. and a book will be launched, keep an eye out .. they’re a passionate people, I was happily surprised to meet a small delegation of concerned  x miners at the press launch.. more to follow …next time

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Thats it.. goodnight and farewell..

 

 

 

 

 

 

TheBig sculpture scale up begins!

OK just to remind you , we are making a 26 ft high figure, in bronze.. by far the most massive thing we’ve ever done, I’ll be taking you through the creation of this giant, in various blogs over the next three years, so the answers to your burning questions will come in good time!!

Recap: Below is the model of the figure in plaster, being sliced on a bandsaw in order to get a series of layers to draw round on graph paper..found out why…..

 

 

 

Here are all the plaster slices stacked up and numbered,

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Here’s Tom looking at the shapes traced on to graph paper, He is then carefully copying each one onto a  polystyrene sheet on which the graph paper has been scaled up.

 

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Eva now jigsaw’s out the scaled up shapes,

 

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Here’s the top of the thighs

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They are stored carefully!

 

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Dan takes the offcuts to be responsibly disposed of.. I see a new sculpture coming!

 

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Ania Eva and Dan (whose last day this is) rest after a hard days work..  Thanks for all your hard work this summer Dan!

 

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Meanwhile Tom has started to grapple with the steel structure which will support the edifice.. A large section hands unnervingly from the ceiling, which has had to be reinforced, as the weight of the whole thing will likely buckle the roof!!

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The leg section lies on the floor waiting to be winched into position..

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It fits perfectly all Toms mathematics and planning has paid off!  He now starts to fit the poly sections..

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Holes are cut in the centre of the poly , and plaster will be used to fix each one to the steel armature.. creating a surprisingly solid structure

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The body section waits to be installed, But we leave it at this stage for now, as we have four bronze figures to finish who will be climbing a beautiful staircase in Cannon St London.. that’ll be the next blog..

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That was a shorter pithier blog.. I am attempting shorter more frequent blogs from now on.. unless you want them longer?

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Body in the water: ‘A Thousand Tides’ causes a fuss!

“Bronze sculpture mistaken for body in the water” BBC online

 

The BBC got in touch with me whilst in France to report that the Coastguard, Police and Fire Service had been called out to my figure lying in the water at Butley Creek.

I would like to apologise to the Emergency services for distracting them from their important work. and to the distressed member of the public who reported a body on Tuesday.   I would also like to thank the artists of Butley Mills Studios, who fielded angry Coastguards and Police.

The story has been on BBC online, Look East, Radio, the Telegraph amongst others.

http://www.bbc.co.uk/news/uk-england-suffolk-40875640

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The Sculpture was buried in the Creek over 18 months ago, (weirdly about a thousand tides ago!) and is supposed to sink slowly into the mud, It was a parting gesture to a loved landscape which had abutted my studio at Butley for over 14 years. It was intended to echo the Saxon ship burials of the area (Sutton Hoo and Snape) and the bronze age hordes discovered in neighbouring fields, now at Orford Museum.

 

'A Thousand tides'2

 

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The figure disappears under the water with every tide and re emerges when the water recedes. I see it as an ablutive (purifying) process, cleansing a calm caressing. This tenderness expresses perfectly my relationship with the Suffolk Coast, a relationship captured beautifully in books such as Julian Tennysons ‘A Suffolk Scene’.  (A book that mirrors many of my experiences exploring these marshlands in my youth.)

 

The Creek at High tide, the figure under the water.

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The sculpture’s harmony with the environment is often recorded by visitors, who send me images of their experience, these ones from John Esling. Showing the birds of the area making use of him.

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This is a  long exposure through a pin hole camera created by artist Laura Ellenberger. The exposure lasted a month, day, night – high, low tide…the figure becomes a ghostly haze.

pin hole tide man

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The burying of him was a performance in itself, . We had to build a raft with a hole in it for him to be lowered through and into position. When he entered the water he bubbled as  air escaped, he turned golden like a giant fish as he descended,  the bubbles continued to issue for some time,  a powerful experience.

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Making him was also an emotional experience, I usually model figures upright, they therefore become a kind of equivalent to me. Modelling a supine figure changed the relationship, he was like a patient and I the doctor, he seemed vulnerable and when holding his hand I felt as though I should read his pulse, he peered over his chest at me working on him as if to ask what I was doing to him. This relationship, I feel, continues in the marsh. ‘Where am I going’?

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A good film has been made of the project by Film maker Phil Cairney, here’s the link

http://www.youtube.com/watch?v=6XFYDvEB4V8

 

looking on b&W

I am in talks with the Coastguard at the moment, their initial response is for me to remove the work, I have suggested some buoys would signify its presence as an object and not a body. I await their decision.

Removing an object like this isolated and  a long way out from land, and away from the channel, will be very difficult,  I cheekily asked the Coastguard if they would be able to do it as part of a training exercise, they informed me that the Helicopter’s are based at Lydd in Kent and up at Hull. and would cost thousands, I asked if any helicopter would do it, the response was negative!

The exumation would be a perfomance in many ways and what to do with the weathered and encrusted body after would be something to consider.  I’ve obviously been thinking stay in touch!!!

I’ll finish by reflecting on Myron’s bronze bull on the Acropolis and how it fooled the public into thinking it was real, and feel i’m in good company!

For more information please contact me on edwards.bronze@gmail.com

or my gallery Messums.com